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KALAMAZOO, Mich—Whether art imitates life or life imitates art is a question for philosophers to hash out. But that art imitates chemistry is no question in a unique collaboration at Â鶹´«Ã½.

The STEAM Collaboration project, funded in part by a of the National Science Foundation's Chemistry Division, brings together Â鶹´«Ã½s from the Gwen Frostic School of Art, WMU School of Music and Department of Chemistry. It challenges the groups to develop original works of art based on analysis by mass spectrometry.

"This is, as far as I know, the only event of its kind where Â鶹´«Ã½s from visual art, music composition and chemistry collaborate so closely, in the sense that both the chemists and artists are involved throughout the entire process" says Dr. Andre Venter, an associate professor of chemistry who leads the project alongside Patrick Wilson, an associate professor of art and Dr. Lisa Coons, an assistant professor of composition.

A decade since the Obama administration announced a program called Educate to Innovate—aimed at helping Â鶹´«Ã½s excel in science, technology, engineering and math—emphasis remains on STEM fields and STEM education. But many educators now also advocate for expanding the acronym to STEAM, emphasizing the importance of arts in preparing Â鶹´«Ã½s for careers and helping spur discovery and innovation.

"STEM Â鶹´«Ã½s are not well prepared for the creative needs that a future career in science requires," says Venter. "Too often our science Â鶹´«Ã½s are trained to follow recipes, yet, to quote Albert Einstein, 'We cannot solve our problems with the same thinking we used when we created them.'"

THE PROJECT

The STEAM Collaboration allows Â鶹´«Ã½s to conceptualize an experiment, interpret data into art and ultimately present that art in a community exhibition. For the most recent group of participants, the projects began in fall 2018 by choosing a local material to analyze. From river water to honey to coffee beans, Â鶹´«Ã½s collected samples and then went to work in a chemistry lab.

"The Â鶹´«Ã½s communicate with each other to bring the science to the artist and to bring the creative process to the science Â鶹´«Ã½s," says Venter. "They earn a greater appreciation of each discipline."

"I had never been in a lab like that. It was interesting," says Evgeniya Kozhevnikova, a jazz composition master's Â鶹´«Ã½ and Fulbright Scholar from Russia. "Chemistry was always something I didn't understand quite well."

The Â鶹´«Ã½s use desorption electrospray ionization mass spectrometry, which essentially employs a tiny power-washing device to spray molecules off of materials and determine their molecular masses. The teams of Â鶹´«Ã½s analyze the data to determine the molecules in the sample. Then, they create pieces inspired by those numbers.

Jared Tubbs, a music composition master's Â鶹´«Ã½ from Tuscaloosa, Alabama, worked in a group that analyzed raw honey. 

"I was trying to interpret the data and find ways to make it sound interesting," Tubbs says. "I ended up plugging it into a program where it generated sound waves off of different data points, which generated a certain frequency. After combining them it created this buzzing noise."

Garrett Auzins, the visual artist Tubbs collaborated with, also used the concept of a beehive to create a sculpture out of cardboard, chicken wire, beeswax and other natural materials. He called it a metaphor for the production of honey.  Tubbs placed transducers on the sculpture itself, generating the vibrations to create his composition.

The opportunity to explore new technology and incorporate math and science into music is a welcome challenge for Tubbs.

"I've used Morse code in my pieces, now I've used spectrograph data and all sorts of things," Tubbs says. "I'm actually working on a piece right now where the performer has a gyroscope on their hand that interprets data and sends it to different effects."

THE OUTCOMES

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At the end of the project, Â鶹´«Ã½s present their work to the community during Art Hop, Kalamazoo's monthly celebration of arts featuring exhibits and events. Venter says it gives Â鶹´«Ã½s an opportunity to creatively and effectively communicate scientific knowledge, which he calls a necessary and important tool for success in science and other fields.

"Very few Â鶹´«Ã½ exist for Â鶹´«Ã½s to communicate with and interact with the broader community—surprisingly even for artists, but especially for the chemists," Venter says. "They help address science literacy and stimulate interest in actual and timely issues within the Kalamazoo community."

Students also learn a lot from each other.

"It opens minds a lot and gives new perspectives, which is something that you don't necessarily do working in the comfortable bubble that you have," says Kozhevnikova. "It wasn't the kind of music I would necessarily write, but it gave me some new ideas from outside."

Andrew Simpkins, a chemistry Â鶹´«Ã½ from Jackson, also enjoyed getting pushed out of his comfort zone.

"I got a lot out of it," says Simpkins, whose group analyzed pesticides in locally grown tomatillos. "I had a good group. We all collaborated and bounced ideas off each other. I would have never walked into the music department at all if I never worked with them."

"The collaboration bridges gaps in understanding between people," says Emma Somers, a painting and biology Â鶹´«Ã½ from Lapeer, who created a painting from Simpkins' chemical analysis. "Getting to work with a composer and someone in the science department was really interesting to get their perspectives."

Expanding perspectives, Venter says, is a major goal of the collaboration.

"I hope that Â鶹´«Ã½s will exit the project with a new appreciation for the value of art and science respectively, and that they will feel empowered and have greater confidence to communicate with each other and the public."

While it may have broadened his perspective, Simpkins says he doesn't foresee an art career in the future.

"I'll stick to drawing molecules and charts!"

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